Merlin II

The rhyme of the poet
Modulates the king’s affairs;
Balance-loving Nature
Made all things in pairs.
To every foot its antipode;
Each color with its counter glowed;
To every tone beat answering tones,
Higher or graver;
Flavor gladly blends with flavor;
Leaf answers leaf upon the bough;
And match the paired cotyledons.
Hands to hands, and feet to feet,
In one body grooms and brides;
Eldest rite, two married sides
In every mortal meet.
Light’s far furnace shines,
Smelting balls and bars,
Forging double stars,
Glittering twins and trines.
The animals are sick with love,
Lovesick with rhyme;
Each with all propitious Time
Into chorus wove.

Like the dancers’ ordered band,
Thoughts come also hand in hand;
In equal couples mated,
Or else alternated;
Adding by their mutual gage,
One to other, health and age.
Solitary fancies go
Short-lived wandering to and fro,
Most like to bachelors,
Or an ungiven maid,
Not ancestors,
With no posterity to make the lie afraid,
Or keep truth undecayed.
Perfect-paired as eagle’s wings,
Justice is the rhyme of things;
Trade and counting use
The self-same tuneful muse;
And Nemesis,
Who with even matches odd,
Who athwart space redresses
The partial wrong,
Fills the just period,
And finishes the song.

Subtle rhymes, with ruin rife,
Murmur in the house of life,
Sung by the Sisters as they spin;
In perfect time and measure they
Build and unbuild our echoing clay.
As the two twilights of the day
Fold us music-drunken in.
BACCHUS

Bring me wine, but wine which never grew
In the belly of the grape,
Or grew on vine whose tap-roots, reaching through,
Under the Andes to the Cape,
Suffer no savor of the earth to scape.
Let its grapes the morn salute
From a nocturnal root,
Which feels the acrid juice
Of Styx and Erebus;
And turns the woe of Night,
By its own craft, to a more rich delight.
We buy ashes for bread;
We buy diluted wine;
Give me of the true,—
Whose ample leaves and tendrils curled
Among the silver hills of heaven
Draw everlasting dew;
Wine of wine,
Blood of the world,
Form of forms, and mould of statures,
That I intoxicated,
And by the draught assimilated,
May float at pleasure through all natures;
The bird-language rightly spell,
And that which roses say so well.
Wine that is shed
Like the torrents of the sun
Up the horizon walls,
Or like the Atlantic streams, which run
When the South Sea calls.
Water and bread,
Food which needs no transmuting,
Rainbow-flowering, wisdom-fruiting,
Wine which is already man,
Food which teach and reason can.
Wine which Music is,—
Music and wine are one,—
That I, drinking this,
Shall hear far Chaos talk with me;
Kings unborn shall walk with me;
And the poor grass shall plot and plan
What it will do when it is man.
Quickened so, will I unlock
Every crypt of every rock.
I thank the joyful juice
For all I know;—
Winds of remembering
Of the ancient being blow,
And seeming-solid walls of use
Open and flow.
Pour, Bacchus! the remembering wine;
Retrieve the loss of me and mine!
Vine for vine be antidote,
And the grape requite the lote!
Haste to cure the old despair,—
Reason in Nature’s lotus drenched,
The memory of ages quenched;
Give them again to shine;
Let wine repair what this undid;
And where the infection slid,
A dazzling memory revive;
Refresh the faded tints,
Recut the aged prints,
And write my old adventures with the pen
Which on the first day drew,
Upon the tablets blue,
The dancing Pleiads and eternal men.

Bacchus

Bring me wine, but wine which never grew
In the belly of the grape,
Or grew on vine whose tap-roots, reaching through,
Under the Andes to the Cape,
Suffer no savor of the earth to scape.

Let its grapes the morn salute
From a nocturnal root,
Which feels the acrid juice
Of Styx and Erebus;
And turns the woe of Night,
By its own craft, to a more rich delight.

We buy ashes for bread;
We buy diluted wine;
Give me of the true,—
Whose ample leaves and tendrils curled
Among the silver hills of heaven
Draw everlasting dew;
Wine of wine,
Blood of the world,
Form of forms, and mould of statures,
That I intoxicated,
And by the draught assimilated,
May float at pleasure through all natures;
The bird-language rightly spell,
And that which roses say so well.

Wine that is shed
Like the torrents of the sun
Up the horizon walls,
Or like the Atlantic streams, which run
When the South Sea calls.

Water and bread,
Food which needs no transmuting,
Rainbow-flowering, wisdom-fruiting,
Wine which is already man,
Food which teach and reason can.

Wine which Music is,—
Music and wine are one,—
That I, drinking this,
Shall hear far Chaos talk with me;
Kings unborn shall walk with me;
And the poor grass shall plot and plan
What it will do when it is man.
Quickened so, will I unlock
Every crypt of every rock.

I thank the joyful juice
For all I know;—
Winds of remembering
Of the ancient being blow,
And seeming-solid walls of use
Open and flow.

Pour, Bacchus! the remembering wine;
Retrieve the loss of me and mine!
Vine for vine be antidote,
And the grape requite the lote!
Haste to cure the old despair,—
Reason in Nature’s lotus drenched,
The memory of ages quenched;
Give them again to shine;
Let wine repair what this undid;
And where the infection slid,
A dazzling memory revive;
Refresh the faded tints,
Recut the aged prints,
And write my old adventures with the pen
Which on the first day drew,
Upon the tablets blue,
The dancing Pleiads and eternal men.

Merlin I

Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader’s art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace;
That they may render back
Artful thunder, which conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin’s blows are strokes of fate,
Chiming with the forest tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts;
With the voice of orators;
With the din of city arts;
With the cannonade of wars;
With the marches of the brave;
And prayers of might from martyrs’ cave.

Great is the art,
Great be the manners, of the bard.
He shall not his brain encumber
With the coil of rhythm and number;
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme.
‘Pass in, pass in,’ the angels say,
‘In to the upper doors,
Nor count compartments of the floors,
But mount to paradise
By the stairway of surprise.’

Blameless master of the games,
King of sport that never shames,
He shall daily joy dispense
Hid in song’s sweet influence.
Forms more cheerly live and go,
What time the subtle mind
Sings aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.

By Sybarites beguiled,
He shall no task decline;
Merlin’s mighty line
Extremes of nature reconciled,—
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.

He shall not seek to weave,
In weak, unhappy times,
Efficacious rhymes;
Wait his returning strength.
Bird that from the nadir’s floor
To the zenith’s top can soar,—
The soaring orbit of the muse exceeds that journey’s length.
Nor profane affect to hit
Or compass that, by meddling wit,
Which only the propitious mind
Publishes when ‘t is inclined.
There are open hours
When the God’s will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;—
Sudden, at unawares,
Self-moved, fly-to the doors.
Nor sword of angels could reveal
What they conceal.

The Apology

Think me not unkind and rude
That I walk alone in grove and glen;
I go to the god of the wood
To fetch his word to men.

Tax not my sloth that I
Fold my arms beside the brook;
Each cloud that floated in the sky
Writes a letter in my book.

Chide me not, laborious band,
For the idle flowers I brought;
Every aster in my hand
Goes home loaded with a thought.

There was never mystery
But ’tis figured in the flowers;
Was never secret history
But birds tell it in the bowers.

One harvest from thy field
Homeward brought the oxen strong;
A second crop thine acres yield,
Which I gather in a song.

Hermione

On a mound an Arab lay,
And sung his sweet regrets
And told his amulets:
The summer bird
His sorrow heard,
And, when he heaved a sigh profound,
The sympathetic swallow swept the ground.
‘If it be, as they said, she was not fair,

Beauty’s not beautiful to me,
But sceptred genius, aye inorbed,
Culminating in her sphere.
This Hermione absorbed
The lustre of the land and ocean,
Hills and islands, cloud and tree,
In her form and motion.

‘I ask no bauble miniature,
Nor ringlets dead
Shorn from her comely head,
Now that morning not disdains
Mountains and the misty plains
Her colossal portraiture;
They her heralds be,
Steeped in her quality,
And singers of her fame
Who is their Muse and dame.

‘Higher, dear swallows! mind not what I say.
Ah! heedless how the weak are strong,
Say, was it just,
In thee to frame, in me to trust,
Thou to the Syrian couldst belong?

‘I am of a lineage
That each for each doth fast engage;
In old Bassora’s schools, I seemed
Hermit vowed to books and gloom,—
Ill-bestead for gay bridegroom.
I was by thy touch redeemed;
When thy meteor glances came,
We talked at large of worldly fate,
And drew truly every trait.
‘Once I dwelt apart,
Now I live with all;
As shepherd’s lamp on far hill-side
Seems, by the traveller espied,
A door into the mountain heart,
So didst thou quarry and unlock
Highways for me through the rock.

‘Now, deceived, thou wanderest
In strange lands unblest;
And my kindred come to soothe me.
Southwind is my next of blood;
He is come through fragrant wood,
Drugged with spice from climates warm,
And in every twinkling glade,
And twilight nook,
Unveils thy form.
Out of the forest way
Forth paced it yesterday;
And when I sat by the watercourse,
Watching the daylight fade,
It throbbed up from the brook.

‘River and rose and crag and bird,
Frost and sun and eldest night,
To me their aid preferred,
To me their comfort plight;—
“Courage! we are thine allies,
And with this hint be wise,—
The chains of kind
The distant bind;
Deed thou doest she must do,
Above her will, be true;
And, in her strict resort
To winds and waterfalls
And autumn’s sunlit festivals,
To music, and to music’s thought,
Inextricably bound,
She shall find thee, and be found.
Follow not her flying feet;
Come to us herself to meet.”‘

Thine Eyes Still Shined

Thine eyes still shined for me, though far
I lonely roved the land or sea:
As I behold yon evening star,
Which yet beholds not me.

This morn I climbed the misty hill
And roamed the pastures through;
How danced thy form before my path
Amidst the deep-eyed dew!

When the redbird spread his sable wing,
And showed his side of flame;
When the rosebud ripened to the rose,
In both I read thy name.

Lines

WRITTEN BY ELLEN LOUISA TUCKER SHORTLY BEFORE HER MARRIAGE TO MR. EMERSON

Love scatters oil
On Life’s dark sea,
Sweetens its toil—
Our helmsman he.
Around him hover

Odorous clouds;
Under this cover
His arrows he shrouds.

The cloud was around me,
I knew not why
Such sweetness crowned me.
While Time shot by.

No pain was within,
But calm delight,
Like a world without sin,
Or a day without night.

The shafts of the god
Were tipped with down,
For they drew no blood,
And they knit no frown.

I knew of them not
Until Cupid laughed loud,
And saying “You’re caught!”
Flew off in the cloud.

O then I awoke,
And I lived but to sigh,
Till a clear voice spoke,—
And my tears are dry.

To Eva

O fair and stately maid, whose eyes
Were kindled in the upper skies
At the same torch that lighted mine;
For so I must interpret still
Thy sweet dominion o’er my will,
A sympathy divine.

Ah! let me blameless gaze upon
Features that seem at heart my own;
Nor fear those watchful sentinels,
Who charm the more their glance forbids,
Chaste-glowing, underneath their lids,
With fire that draws while it repels.

To Ellen

And Ellen, when the graybeard years
Have brought us to life’s evening hour,
And all the crowded Past appears
A tiny scene of sun and shower,

Then, if I read the page aright
Where Hope, the soothsayer, reads our lot,
Thyself shalt own the page was bright,
Well that we loved, woe had we not,

When Mirth is dumb and Flattery’s fled,
And mute thy music’s dearest tone,
When all but Love itself is dead
And all but deathless Reason gone.

To Ellen at the South

The green grass is bowing,
The morning wind is in it;
‘T is a tune worth thy knowing,
Though it change every minute.

‘T is a tune of the Spring;
Every year plays it over
To the robin on the wing,
And to the pausing lover.

O’er ten thousand, thousand acres,
Goes light the nimble zephyr;
The Flowers—tiny sect of Shakers—
Worship him ever.

Hark to the winning sound!
They summon thee, dearest,—
Saying, ‘We have dressed for thee the ground,
Nor yet thou appearest.

‘O hasten;’ ‘t is our time,
Ere yet the red Summer
Scorch our delicate prime,
Loved of bee,—the tawny hummer.

‘O pride of thy race!
Sad, in sooth, it were to ours,
If our brief tribe miss thy face,
We poor New England flowers.

‘Fairest, choose the fairest members
Of our lithe society;
June’s glories and September’s
Show our love and piety.

‘Thou shalt command us all,—
April’s cowslip, summer’s clover,
To the gentian in the fall,
Blue-eyed pet of blue-eyed lover.

‘O come, then, quickly come!
We are budding, we are blowing;
And the wind that we perfume
Sings a tune that’s worth the knowing.’